Should You Bring a Camera When You Travel or Is a Phone Enough?

For most travelers, the smartphone in your pocket works just fine for taking photos of adventures. But what are you missing by relying on your phone alone? I used my recent trip to Germany to explore when a casual sightseer would benefit from having a dedicated camera or if their phone would be enough.

While everyone’s kit is different, most travelers won’t be hauling around a DSLR or pro-quality mirrorless camera. Instead, they’ll debate between buying a fancy new phone or a more affordable everyday mirrorless camera. (Though there are point-and-shoot options if you want a standalone camera, they may not outstrip your phone’s photo capabilities.)

I’m no pro photographer, so don’t expect expert advice on how to get the most out of this kit, but for casual photo takers who leave their camera on the auto settings, this is a good comparison to see what each device can handle without much fuss amid a busy trip abroad.

My kit isn’t the best you’ll find, but it’s probably not far off from what many travelers may pack in their pockets and bags: my personal iPhone 12 Pro, a Samsung Galaxy S22 Ultra (to test a more camera-intensive phone), and a snug Sony ZVE-10 mirrorless camera with a Sigma 16mm f1.4 DC DN (an affordable prime lens).

Here’s the breakdown for what each device did best — and what they couldn’t do.

iPhone 12 Pro

The iPhone 12 Pro is a few years past its October 2020 launch date but still plenty capable, and its photo capabilities are probably similar to what many older premium and newer cheaper phones can achieve. When it debuted, the iPhone 12 Pro retailed for $999 (£999, AU$1,699) but years later it isn’t really sold anywhere aside from refurbished at sub-$500 prices. You can still pick up a stock iPhone 12 on Apple’s website for $599, but it lacks the 2x telephoto lens. 

The iPhone 12 Pro took basic photos well, albeit with the warm tones typical of iPhone photos. Images I shot didn’t have quite the same color accuracy as the Samsung S22 Ultra or the Sony ZVE-10. Still, the iPhone 12 Pro was great at taking daytime shots of streets, museums and breezy lunches. It struggled with dimly lit dinners and at night, with photos having a grainy texture from image noise.

Germany Travel Photo Comparison: iPhone 12 Pro Example Photos

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Another limit was the iPhone 12 Pro’s 2x optical zoom, which was far inferior to the Samsung Galaxy S22 Ultra’s telephoto capabilities. Since I was mostly seeing landscapes, I rarely felt the need to zoom in on a distant subject. The ultra-wide camera was more useful, and its 13mm-equivalent focal length allowed me another option to the 26mm-equivalent main camera for framing a specific shot. 

In head-to-head comparisons with the mirrorless camera, the iPhone 12 Pro held up surprisingly well. The phone captured near and background distant subjects in crisp detail. The mirrorless camera was more selective in its focus, largely homing in on one or the other and requiring a bit more finesse. 

As I was using the iPhone for every other travel-necessary app like navigation and wireless payments, it was in my pocket every day and wasn’t a burden to carry. That meant it was on-hand for me to take quick photos out the windows of our train or rental car of passing scenery at just the right time.

Samsung Galaxy S22 Ultra

While superseded by this year’s Samsung Galaxy S23 Ultra, the Samsung Galaxy S22 Ultra I took on my trip is still a camera powerhouse. It has a 108-megapixel main camera and a 12-megapixel ultrawide camera with 120-degree field of view, but it’s really known for its zoom photography. It has not one but two telephoto lenses: a 10-megapixel with 3x optical zoom and a 10-megapixel periscope-style capable of 10x optical zoom.

As expected, the Galaxy S22 Ultra took great photos at a distance. Did I need zoom photo capability? Not really! Most of my subjects were 20 to 50 feet away.

Unless, of course, you’re taking shots of distant buildings, like the Neuschwanstein Castle on Germany’s southernmost border, nestled in the foothills of the Alps within spitting distance of Austria. It was nice to have more control to frame the photos with the zoom capability, even if I didn’t need the 100x “space zoom.” The feature combines optical and digital zoom with AI tricks to home in on a cropped-in corner of zoomed-in image. The 30x was enough and rarely necessary. Regardless, the S22 Ultra’s 10x optical and digital hybrid zoom produced far better photos than the iPhone 12 Pro’s grainy 10x digital zoom.

Here’s the Samsung Galaxy S22 Ultra’s camera from the road at the foot of a trail leading up to Neuschwanstein, with shots from the main camera at 1x, 3x, 10x and 100x zoom. 

Germany Travel Photo Comparison: Samsung S22 Galaxy Ultra, Castle Street

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Compare that to the iPhone 12 Pro’s main camera at 1x, 2x and 10x.

Germany Travel Photo Comparison: iPhone 12 Pro, Castle Street

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The Galaxy S22 and iPhone 12 Pro both did a decent job shooting photos with a mixture of dark and light foregrounds and backgrounds, especially with bright skies that can be easily washed out. Below is a shot from up on a balcony of the Neuschwanstein castle, looking west into the valley. 

But it’s easy to see how cool the Galaxy S22 Ultra’s zoom capabilities are when perched above the landscape and using successive zoom intervals to get closer shots of a subject.

Germany Travel Photo Comparison: Samsung Galaxy S22 Ultra, Valley Zoom

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Lastly, here’s a simple comparison of shots of the castle itself, with the Galaxy S22 Ultra’s main camera versus the iPhone 12 Pro’s camera. 

The Galaxy S22 Ultra is one of the best phones we’ve tested, which garnered a CNET Editor’s Choice Award in our review. It’s more convenient to handle than my mirrorless camera, though it doesn’t have as many photo settings.

The Galaxy S22 Ultra is a large phone, so it took up a lot of space in my pocket. Even if I were to buy it to replace my iPhone 12 Pro, it would still be cumbersome to yank out for casual photos. As it was, there were a handful of situations where I might have lost the S22 if it had been in my pocket instead of the smaller iPhone 12 Pro, including a bobsled-like roller coaster on a hillside in the middle of the Black Forest. (Which, sadly, wouldn’t allow phones on the course, but there are ride-through videos on YouTube.)

Sony ZVE-10 mirrorless camera

The Sony ZVE-10 is aimed at vloggers with its 4K video shooting and light weight, but that also made it great for taking still photos with its 24-megapixel resolution. The camera is reasonably affordable at $700, and has swappable lenses via a lens mount.

I used the ZVE-10 with a Sigma 16mm f/1.4 prime lens I picked up for $399 to take better product shots. The Sony body and Sigma lens combo took superior photos to either phone in medium to close range. Thanks to the ZVE-10’s crop APS-C sensor, the 16mm lens was more like a 24mm lens, and had essentially the same field of view as the standard rear cameras on the iPhone 12 Pro and Galaxy S22 Ultra. 

For the majority of the trip, the short-range prime lens was fine, and I didn’t miss being able to zoom in on distant objects. You can get pretty close to any subject that’s worth taking photos of, though I would want a telephoto lens at a concert or for shooting wildlife. I did miss not being able to zoom out with either phone’s ultra-wide lenses, especially in cramped quarters like awkwardly small museum rooms.

The ZVE-10 performed fine with landscape shots but excelled in reasonable-size enclosed spaces, capturing greater color contrast and lighting/shadow variance. Compare these photos below of a fresco on a low roof in the Cologne Cathedral, shot with the ZVE-10 and the iPhone 12 Pro, respectively.

When shooting close subjects, the ZVE-10 excelled at capturing evocative lighting, and the f/1.4 Sigma lens’ natural bokeh led to moodier shots compared to the uniform brightness of the iPhone 12 Pro. 

And while the iPhone 12 Pro produced uniformly brighter and crisper photos, the post-processing to get such clarity led to some flattened color and shadow. In photos of this iron statue of the Chinese mythological aquatic monkey demon Wuzhiqi located in Berlin’s Humboldt Forum, you can see more detail in the iPhone 12 Pro’s shot, but it loses the red-brown tone from years of oxidation. 

It was also easier to get the ZVE-10 to produce a depth effect naturally. With the iPhone 12 Pro, portrait mode requires more fiddling and an ideal distance between the phone, your subject and the background. But the camera’s depth effect made it tough to keep everything in focus when I was taking photos of food and wanted to show the whole plate.